About me

I've been building and restoring with earth for about twelve years now. I trained as an architect the conventional way (steel, concrete, glass) and it took my first restoration project, an old rammed-earth farmhouse nobody wanted to touch, to realize how much more interesting the older material actually was.

Earth doesn't behave like modern materials. It moves with the seasons, it needs to breathe, and if you get the wall thickness wrong the whole building suffers for it years later. That complexity is what keeps me doing this. Every site tells you what it needs if you're willing to slow down and read it before drawing anything.

I moved to Colombia's Coffee Region early in my career, drawn by how much of that knowledge was still alive here, in the walls of old houses, in builders who learned the technique from their fathers, not from a manual. Most of what I know about earth construction, I learned from them.

How We Work

How We Work

Recognition & Publications

National Architecture Biennial, 2011

Collaborating architect, Casa Solane Lead architect: Marcus Feld

Architecture Annual, 2014

Oak House
Lead architect: Marcus Feld · Design collaborator: David Lang

Architecture Annual, 2019

Riverstone House
Architect: David Lang · Landscape: Elena Cho

Architecture Annual, 2020

Slope House
Architect: David Lang · Landscape: Priya Nair

Our Mission

Our Mission

Why Earth

The house that changed things for me wasn't a project, it was my grandmother's kitchen. Rammed earth walls, two feet thick, and in the middle of a hot afternoon it was the coolest room in the building without a single fan running. I didn't think about it much as a kid. Years later, sitting in an air-conditioned office reviewing steel and glass drawings, I kept coming back to that kitchen.

What pulled me toward earth wasn't nostalgia. It was realizing that a wall built two hundred years ago was solving problems (heat, humidity, longevity) better than a lot of what I was being trained to design. I wanted to understand why, and then I wanted to build with it myself.

That's still what this work is about. Not preserving the past for its own sake, is taking material knowledge that already works and making sure it gets to keep working, in houses people actually live in today.

About me

I've been building and restoring with earth for about twelve years now. I trained as an architect the conventional way (steel, concrete, glass) and it took my first restoration project, an old rammed-earth farmhouse nobody wanted to touch, to realize how much more interesting the older material actually was.

Earth doesn't behave like modern materials. It moves with the seasons, it needs to breathe, and if you get the wall thickness wrong the whole building suffers for it years later. That complexity is what keeps me doing this. Every site tells you what it needs if you're willing to slow down and read it before drawing anything.

I moved to Colombia's Coffee Region early in my career, drawn by how much of that knowledge was still alive here, in the walls of old houses, in builders who learned the technique from their fathers, not from a manual. Most of what I know about earth construction, I learned from them.

How We Work

How We Work

Recognition & Publications

National Architecture Biennial, 2011

Collaborating architect, Casa Solane Lead architect: Marcus Feld

Architecture Annual, 2014

Oak House
Lead architect: Marcus Feld · Design collaborator: David Lang

Architecture Annual, 2019

Riverstone House
Architect: David Lang · Landscape: Elena Cho

Architecture Annual, 2020

Slope House
Architect: David Lang · Landscape: Priya Nair

Our Mission

Our Mission

Why Earth

The house that changed things for me wasn't a project, it was my grandmother's kitchen. Rammed earth walls, two feet thick, and in the middle of a hot afternoon it was the coolest room in the building without a single fan running. I didn't think about it much as a kid. Years later, sitting in an air-conditioned office reviewing steel and glass drawings, I kept coming back to that kitchen.

What pulled me toward earth wasn't nostalgia. It was realizing that a wall built two hundred years ago was solving problems (heat, humidity, longevity) better than a lot of what I was being trained to design. I wanted to understand why, and then I wanted to build with it myself.

That's still what this work is about. Not preserving the past for its own sake, is taking material knowledge that already works and making sure it gets to keep working, in houses people actually live in today.

About me

I've been building and restoring with earth for about twelve years now. I trained as an architect the conventional way (steel, concrete, glass) and it took my first restoration project, an old rammed-earth farmhouse nobody wanted to touch, to realize how much more interesting the older material actually was.

Earth doesn't behave like modern materials. It moves with the seasons, it needs to breathe, and if you get the wall thickness wrong the whole building suffers for it years later. That complexity is what keeps me doing this. Every site tells you what it needs if you're willing to slow down and read it before drawing anything.

I moved to Colombia's Coffee Region early in my career, drawn by how much of that knowledge was still alive here, in the walls of old houses, in builders who learned the technique from their fathers, not from a manual. Most of what I know about earth construction, I learned from them.

How We Work

How We Work

Recognition & Publications

National Architecture Biennial, 2011

Collaborating architect, Casa Solane Lead architect: Marcus Feld

Architecture Annual, 2014

Oak House
Lead architect: Marcus Feld · Design collaborator: David Lang

Architecture Annual, 2019

Riverstone House
Architect: David Lang · Landscape: Elena Cho

Architecture Annual, 2020

Slope House
Architect: David Lang · Landscape: Priya Nair

Our Mission

Our Mission

Why Earth

The house that changed things for me wasn't a project, it was my grandmother's kitchen. Rammed earth walls, two feet thick, and in the middle of a hot afternoon it was the coolest room in the building without a single fan running. I didn't think about it much as a kid. Years later, sitting in an air-conditioned office reviewing steel and glass drawings, I kept coming back to that kitchen.

What pulled me toward earth wasn't nostalgia. It was realizing that a wall built two hundred years ago was solving problems (heat, humidity, longevity) better than a lot of what I was being trained to design. I wanted to understand why, and then I wanted to build with it myself.

That's still what this work is about. Not preserving the past for its own sake, is taking material knowledge that already works and making sure it gets to keep working, in houses people actually live in today.

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